An origami box: two square sheets of paper transformed into a tribute to a person – a father,
mother, child, daughter, son, human – a loved one lost to death by gunshot. That is a Soul Box.
It’s also the arts activism project that I have worked on with many friends at NDPC for well over
a year now. Our co-pastor Beth Waltemath learned of the initiative and suggested it to the
Peace and Justice Committee as a way to augment our congregation’s monthly commitment to
remember Georgia victims of gun violence as we read their names aloud. In fall of 2019,
members of the Craftivists group hosted box-making sessions during coffee hour in the
Fellowship Hall. When the pandemic quarantine began, many members and friends joined the
original group focused on “crafting for a cause” in a commitment to create a Soul Box for every
Georgia life lost in 2020.
The result of that church wide commitment yielded twelve panels of 98 boxes each, and a total
of more than 1200 boxes. I am proud of the many NDPC hands that made those memorials, and
I know that all of us had mixed feelings about the work we did – grief at the loss and pain,
compassion for and connection with the individuals we honored on each box, a humble
satisfaction in creating our tiny tributes and making them as lovely as we could, and gratitude
for being a part of something bigger, knowing that many people around the country were also
remembering victims of gunfire as we were. We first displayed our panels during the outdoor
Ash Wednesday service last spring, and they are now hanging in the downstairs hallway of
NDPC between the Pastor’s Study and the Studio Classroom.
Our 1200 boxes, our twelve panels, will be among 200,000 boxes as part of the Soul Box
Procession and Exhibition on the National Mall in Washington DC on October 16-17, 2021. To
prepare for this massive undertaking, the Oregon-based organizers of the Soul Box Project
staged a local event as a sort of dress rehearsal. With support from NDPC’s Peace and Justice
Committee, my husband, Tim Merritt, and I were able to join the project’s founder, Leslie Lee,
and her volunteer team to make the June Portland event a reality. Here’s more from Tim:
Ellen and I traveled to Portland last month to help the Soul Box Project install “This Loss We
Carry,“ a public exhibit of 66,000 Soul Boxes, a small fraction of the multitude of those folded by
volunteers across the country. The June exhibit served as a dress rehearsal for the much larger
exhibit this October on the National Mall in Washington D.C. I was deeply moved as I worked:
the display is a stark representation of the ever-accumulating numbers of individual victims.
I thought I had a rough sense of the problem here in Georgia. I’d helped Ellen and other NDPC
members with logistics for our church’s folding of more than 1200 Soul Boxes, and during the
months of Covid, Kathleen Allen sent me the names of hundreds of Georgia gun victims for the
monthly slide shows in worship. In Portland, though, the numbers were far greater. I helped
assemble a display of tens of thousands of names of gun violence victims across the country,
from Alabama to Washington.
Our 30-person volunteer crew worked for hours in the record-breaking heat on Friday, the
enormity of the numbers never far from our minds.
It took 9 hours to put together the hanging display of almost 10,000 Soul Box panels. To open
Saturday’s formal exhibit, volunteers in procession carried another 56,000 boxes to the somber
beat of a snare drum. This provided a profound sense of the overwhelming numbers of
fathers and mothers, sons and daughters who are injured or killed by gun violence every single
day in America.
The unprecedented heat wave limited attendance in the afternoon. In a quiet period, I looked
between the two rows of panels and saw a woman reaching up with her phone to take a picture
of a Soul Box. As I moved closer to her, I saw she was quietly weeping as she continued to look
up at the box. All I could think to do was to say, “I’m so sorry for your loss.” She looked at me for
a moment and said, “My son.” She thanked me, for acknowledging her and her grief, with
immense sadness. I respectfully left her to her thoughts. In that moment, I realized I can only
begin to imagine the raw grief and pain of having a loved one die so suddenly, so violently.
The October exhibit in Washington D.C. will be much bigger and, we hope, impossible to ignore.
The Soul Box Project will display more than 200,000 boxes to show both the huge number of lost
loved ones, those who mourn them, and the commitment of the many volunteers who created
Ellen here again: I know those mixed feelings I described earlier were a part of Tim’s
experience, too. In Portland, we felt both heartbroken and energized, both purposeful and
powerless. We witnessed compassion and commitment, and we connected with fellow
volunteers on a level that was rich and real. There were tears and belly laughs as we spent an
unforgettable weekend doing important work together. This September, we will display our
Georgia panels at the Wild Goose Festival in North Carolina, speaking to attendees there about
the power of art activism projects like this one, and this October, our dozen panels will be
displayed with hundreds of others on the National Mall of our country’s capital. Some of you
are already planning to attend one or both of these events, and there is still room (and need)
for more. You might have mixed feelings too, and that’s okay: bring them all and join us in
challenging the injustice of gun violence with the visual, visceral impact of the Soul Box Project.
Sign up details for shared housing in DC are in this week’s Communicator newsletter.
Links for more information:
– Photos from the Portland Soul Box Project event (and the story of a dramatic mishap
and lesson learned!)
– Official information about the upcoming Soul Box Project event in Washington
– Wild Goose Festival website